mamake

0:00 | And I switched Arg's life.

0:01 | He can't sleep here with Jeff's life.

0:06 | Switch back or this angel man will send

0:08 | you to hell forever. Smite him.

0:11 | That's actually not my department.

0:13 | Gentlemen, congratulations on the film.

0:15 | Oh, thank you.

0:16 | Okay, so I'm actually going to start

0:18 | with Keanu, but he's going to brag on

0:19 | you. Um because you we have a quote from

0:22 | you where you said, "If you have the

0:23 | chance to work with two comedy masters,

0:26 | you go for it." So my question is what

0:28 | happened when that happened? Like what

0:30 | was your favorite part?

0:31 | Their mastery I'd seen on film and

0:34 | television um your comedy specials, your

0:37 | standup and then to going into rehearsal

0:40 | working with Aziz having the chance to

0:42 | work with Seth through the whole thing

0:44 | from rehearsal to filming uh was just a

0:49 | clinic. uh improvisation,

0:52 | timing, understanding the where and when

0:56 | of what a scene is, the yeses, uh the

0:59 | inventiveness.

1:01 | Um it was cool to just kind of watch

1:04 | that and be a part of it. And um I went

1:07 | to comedy school,

1:09 | a master school. What was the most

1:10 | surprising part real quick and then I'm

1:12 | Yeah, of course. You know, I'd never

1:14 | worked with Aziz before. And I think,

1:16 | you know, him just having an idea for

1:18 | the character and the energy and the

1:20 | perspective of the role. It's not

1:22 | something I would not expect.

1:24 | Yeah.

1:25 | But it was something cool that I was

1:26 | like, "Okay, I'm in good hands. Okay,

1:29 | this is I can trust this."

1:30 | And then I'm like, "Okay, whatever

1:33 | do Yeah. Then I just want to I want to

1:35 | do what I can." You know,

1:36 | on your side of it, I just feel like

1:38 | it's always weird with you like

1:39 | multihyen. It's like, "Why do y'all want

1:41 | to give yourself more work? I'm trying

1:42 | to get out of work. But for you, I guess

1:44 | the work is you get to direct people

1:46 | like Kiki Palmer and Seth Rogan, but it

1:48 | also means you kind of have to tweak it.

1:50 | Is there a difference to directing them?

1:51 | They're both very talented people, but

1:53 | like what did you tweak yourself a

1:55 | little bit when you were directing Kiki

1:56 | versus Seth? Yeah, I've worked with I've

1:59 | known Seth for a long time and Kiki I've

2:01 | we've gotten to know each other very

2:03 | quickly and we have a short hand and and

2:05 | I think it's like Keanu is saying it's

2:06 | like you kind of quickly I don't know we

2:08 | kind of quickly all be were on the same

2:10 | page and understood what we were trying

2:11 | to do and understood the job a bit and I

2:14 | think they kind of knew what I was

2:16 | trying to the tone I was going for and

2:18 | and they're such a great cast I I don't

2:20 | think I had to say much to them. I if

2:22 | anything I would just maybe have an idea

2:24 | for a joke or something and throw it

2:25 | out. But we we we all understood what we

2:27 | were trying to do.

2:28 | I love that. Um this film joins the

2:31 | incredible cannon of what I call like

2:33 | angel movies, you know, Wings of Desire,

2:34 | It's Wonderful Life, Constantine,

2:37 | Alita, Battle Angel, Legion. Not quite,

2:41 | but it's close. But if you could have

2:43 | anybody be your guardian angel from one

2:44 | of your former co-stars and we can't say

2:46 | good fortune co-stars like I'm going to

2:48 | make y'all work for a little bit and

2:50 | like go through your incredible

2:51 | filmography which you both have.

2:54 | Who from your like co-stars would you

2:55 | want looking out for you guarding your

2:57 | I'd say Amy Polar is the right answer.

3:01 | Aubrey Plaza is maybe the more

3:04 | fun answer them on that podcast.

3:07 | Responsible but

3:08 | fun mom responsible mom.

3:11 | Love my Parks family. If any of them

3:13 | could could look after me, I I would I

3:15 | would be in good hands.

3:16 | I dig that. What about you, sir?

3:18 | Lawrence Fishburn.

3:19 | Oh, that is Man, you both see I knew

3:22 | this would be like a really good answer.

3:24 | Um, and you guys have done just so many

3:26 | incredible things. Like I said, like I

3:28 | feel like you're probably going to

3:29 | announce some comedy special after be

3:31 | like, "Oh yeah, while I made the movie,

3:32 | I was also doing an hour a night in New

3:34 | York." I'm right, aren't I? I'm right,

3:35 | aren't I?

3:36 | I'm on tour. Yeah, you're not wrong.

3:37 | I know it. But um you sir are sneaky.

3:41 | You're a voice in severance.

3:43 | I am. Yes.

3:44 | Can you just tell me about this because

3:46 | No, no. I got a call out of the blue

3:47 | from Ben Stiller and he's like, "Hey,

3:49 | you want to do this thing?" And I was

3:50 | like, "What is it?" I looked in the

3:51 | thing. I said, "Yeah, sure." And then he

3:52 | was like, "Okay, let's go."

3:54 | Well, I mean that makes it really easy

3:56 | and fun. Have I do think you've done a

3:58 | ton of stuff, but severance is different

3:59 | because people are probably coded to you

4:01 | now be like, "Do you know anything?"

4:03 | And do you know anything?

4:06 | I think uh yeah, I get it.

4:08 | That's the joy of the show.

4:10 | Um the CWR-CRB fans would at

4:11 | least kind of hit me a little bit if I

4:13 | didn't just say to you, are we going to

4:15 | cuz I did mention the Angel movies.

4:17 | You're an angel in this one. I got

4:19 | Constantine. Anything?

4:20 | Yeah, fingers crossed. You know, another

4:23 | draft of the script came in. We're

4:25 | waiting. We're going to take it to the

4:26 | studio. Hopefully, they like it, too.

4:30 | I just got to say that again. I

4:31 | mentioned it. It's my favorite movie.

4:32 | I'm obsessed with it. Um,

4:34 | I wanted to ask you again because we

4:36 | talked about angel movies. Which ones

4:38 | are the ones that you looked at sort of

4:39 | like inspiring in this cuz I felt like a

4:41 | lot of other like not movies in it but

4:43 | influences like oh god you devil and

4:45 | stuff like that.

4:46 | Well definitely Wings of Desire, the

4:47 | whole idea of an angel becoming human

4:50 | and I read that there was a scene they

4:52 | didn't shoot in Wings of Desire where

4:53 | the angel uh gets really drunk and gets

4:55 | into a fight and and that made me think

4:57 | like oh that's kind of interesting if if

4:59 | Gabriel gets kind of dark. And then that

5:01 | that kind of led to me writing that

5:02 | scene where he's starting where he

5:04 | starts smoking cigarettes and he becomes

5:05 | kind of grizzled which is also inspired

5:08 | by you know I would see Keanu smoking

5:09 | sometimes like oh that'd be funny to see

5:11 | if Gabriel's like he just completely

5:13 | turns and all of a sudden he's just

5:14 | shade smoking.

5:17 | That is fun. You find little mannerisms.

5:19 | Oh my god.

5:21 | Sir um I beg to differ. You have lots

5:23 | more. Um, all right. Well, thank you

5:25 | gentlemen very much.

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Examen | Unveiling the Inspiring Journey of 'Good Fortune' with Keanu Reeves and Aziz Ansari (With Transcript on Video)

"Keanu Reeves and Aziz Ansari Share Inspiration and Good Fortune: A Story of Success"

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